Breaking into natural history filmmaking, A journey from egypt to bristol, UK - Omar manjouneh
By Omar Manjouneh
Breaking into natural history filmmaking is no easy feat, even in countries with mega studios and established industries. But starting that journey in Egypt—where no specialized industry exists and filming wildlife in one of 30 stunning protected areas often requires permits costing more than years of earnings—is where my story begins.
Where it all began
In 2015, as a fresh film directing graduate with passion, determination, and the challenges of living with ADHD, I packed my Canon 5D Mark II camera, a 100-400mm lens, and a backpack and headed to southern Africa. I interned and volunteered with NGOs and national parks, learning hands-on. Those months of hard work led to my first commissioned short documentary—and from there, I embarked on an incredible journey across Africa. I filmed on land and underwater, created music videos for local artists, and even documented war zones under fire—all as a one-person crew managing everything from research to post-production.
When I published my first showreel, I thought I’d finally made it. But the opportunities didn’t come as expected. Instead of feeling entitled or blaming the industry, I reflected on what I was missing. Realizing the growing importance of VFX and virtual production in natural history filmmaking, I pursued further education in this field. Over the years, I climbed the ranks to become an On-Set VFX Supervisor for major productions—including leading the second VFX unit for Universal Studios’ Wicked: For Good. Yet still, no doors opened in the natural history film industry.
Determination is key
Determined not to give up on my dream, I took matters into my own hands. I sold my Cairo apartment and self-funded my first feature-length natural history documentary—a project close to my heart. Over four years (and countless challenges), the film gained momentum: it secured co-productions between Egypt, Germany, and the USA; won multiple development awards; ran a successful crowdfunding campaign; and recently signed its first distribution deal in the MENA region. Learn more about Crocodopolis via the film’s Facebook or Instagram.
Lessons learned along the way
Now relocated to Bristol—the heart of natural history filmmaking—I find myself at another crossroads. Despite years of experience across indie productions and international projects, I lack that elusive AAA credit from an A-list company that many job postings demand. It’s a strange place to be: experienced for entry-level roles but without "major credits" for senior positions.
Still, if there’s one thing my journey has taught me, it’s resilience. Every challenge has been an opportunity to grow. So here I am again—ready to learn, adapt, and take whatever steps are necessary to bridge this gap. Whether it means starting over or finding new ways to prove myself, I’m determined to keep moving forward.
To all industry professionals reading this: if you’re looking for someone with grit, adaptability, and a proven ability to overcome obstacles in pursuit of storytelling excellence—let’s connect! I’d love to bring my skills and passion to your team.
You can follow Omar’s journey (and contact him for opportunities!) via his LinkedIn or Instagram.